KAIROS

The movement

Calibre K.1

A hand-wound movement built on a gilt three-quarter plate — an architecture borrowed from Glashütte, finished the way the Aegean light demands: warm, low, unhurried.

Extreme macro of the calibre K.1: balance wheel, gilt plate with Geneva striping, ruby jewels in gold chatons

01 · Three-quarter plate

One plate carries the whole going train. Harder to assemble, stiffer in the pocket of the case, and the classical mark of a movement meant to be looked at.

02 · Geneva striping, gilt

The plate is striped, gilded, then striped again — the second pass cuts through the gilding so the ribs catch light in two colours.

03 · Blued screws

Heat-blued one by one over a brass pan. The colour cannot be faked; overshoot by ten degrees and you start again.

04 · Free-sprung balance

4 Hz, adjusted by four gold masselottes rather than a regulator pin. It holds its rate the way a keel holds a course.

A watchmaker at his bench in the Athens atelier, assembling a movement under a bench lamp

Ten days of regulation
before a single strap is fitted.

Each movement runs on the timing machine in five positions, morning and evening, for ten days. Only when the daily spread settles inside −2/+4 seconds does the calibre meet its case — and its number.

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